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It can be a lot of fun in a jailbreaking Jedi sort of way and it often produces some gloriously gory results, but it also means that major threats are often too swiftly snuffed out, like you’re Indiana Jones bringing a gun to a swordfight.

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You might enter a room full of ghouls, lift up one and impale him on a spiked wall, throw another into an exposed grinding mechanism, before finishing off a third by hurling a saw blade through their midsection, all before they’ve realised you were ever there. Powerful enough to lift most enemies into the air, this gravity-defying gauntlet can certainly make for some dynamic combat encounters, particularly in tandem with the various deathtraps and volatile objects that are handily positioned around each area. Unfortunately that high level of tension isn’t sustained once the GRP is introduced. I enjoyed the risk-reward choice involved in getting up close and personal rather than trying to more safely pick enemies off from afar, not least because the already tight-in camera pulls even closer to really highlight the carnage as you administer each infected inmate with a lethal injection of hot lead. It stops short of introducing Isaac Clarke’s stasis ability, and swaps his collection of weaponised mining implements for a more conventional arsenal of pistols and shotguns, but it otherwise feels very familiar – and as someone who’s played all of the Dead Space games, it made for a campaign that was heavy on startling jump scares but light on any major story or gameplay surprises.Įven as Jacob’s arsenal grows, melee combat remains a smart way to conserve ammo since each successful combo string you land opens up a brief window to perform a ‘skill shot’, allowing you to automatically lock-on to a weak spot with your firearm and down them in a few shots instead of a full clip.

#The callisto protocol logo png how to

There’s even evidence of a mysterious religious cult that’s somehow involved in the outbreak, and instructions on how to kill enemies left in blood smeared on the walls. From the neatly minimalistic HUD which grafts Jacob’s health bar into the back of his neck like a phone battery indicator, to the stomping of crates and corpses to uncover precious resources, to the combat system that heavily relies on a battery-powered telekinesis ability that allows you to hurl objects around with a flick of Jacob’s wrist. Let’s address the elephant-sized mutant monster in the room, though The Callisto Protocol is effectively a Dead Space game in everything but name, with Striking Distance Studios even being lead by Dead Space co-creator Glen Schofield. The Callisto Protocol's putrid penitentiary had me locked in a state of maximum insecurity. As Jacob inched his way through the disgusting pus-boil and tendril-covered caves of Black Iron’s lower levels, his winces on screen mirrored my own looks of unease. And while it’s become a common technique for developers to mask the loading of new areas with the use of narrow gaps in the terrain for players to shimmy through, here they fortify the feeling of dread rather than becoming a drag. Everything is thick and gross in a genuinely palpable way and reinforced by unsettling scrapes and sickening squelches in the darkness around you. With the third-person camera tight on Jacob at all times, you get a clear look at the sweat sheen on his scalp in the humid laundry area, the blood-spatter that soaks his coveralls after each brutal encounter, and the especially icky sewerage that coats his body after he’s forced to wade waist-deep through waste management. Josh Duhamel from the Transformers movies does a commendable job in the lead role, as does The Boys’ Karen Fukuhara as his main ally Dani Nakamura, but the majority of the desperation and discomfort of the pair’s plight is conveyed through the impressive art direction and audio design.